A surreal masterpiece, newly restored and subtitled, and Japan’s first feature-length underground film. One of the leading figures of Japan’s 60s avant-garde art scene, Adachi co-founded the communal living space and artist’s lab VAN Film Science Research Centre, was scriptwriter for Koji Wakamatsu and Nagisa Oshima, and joined the Palestinian liberation movement in the early 70s. His inventive camera work and creative cuts throw his protagonist and audience into spatial confusion where the line between memory and dreams becomes indiscernible. The film’s soundtrack features the work of Fluxus associate and noise musician Yasunao Tone.
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